In an try to increase my musical horizons about 15 years in the past, I purchased the Roland GR09 guitar synth and MIDI pickup, which I put in on my Jackson Dinky Reverse.

This decision was driven not less than partly by Yngwie Malmsteen’s apparent guitar synth work in his Rising Drive period. Plus, I wanted to try my hand at a brand new age instrumental project at that time, and since my keyboard chops would’ve been woefully inadequate for the challenge resembling this, I made a decision that controlling the synth sound would be far simpler for me to perform on a fretboard.

All in all, it’s been a great experience. The monitoring is amazingly fast and the sounds are fairly good. However I discovered one thing very quickly- if you’re going to play a solo utilizing a patch equivalent to a violin, piano, etc., you’d higher play it as it will sound on that instrument. Simply ripping up and down the frets while wrapped in a sound apart from the guitar produces some lower than convincing results. It’s a must to THINK like a violinist, or a pianist, or a trombonist, or no matter instrument earlier than you come up with the licks.

Violin, for example. Lengthy, drawn out excessive notes with steady vibrato on the end of each phrase can sound pretty convincing on tape. When performing a piano melody, keep away from string bends and vibrato like the plague- play it straight. Pianists don’t have those impact capabilities, so don’t try to add them if you would like the instrument to sound like the actual thing.

And if you’re going to rip on a patch, be sure to’ve acquired sufficient attack or it’ll sound like a lot undefined mush. My experience is that blazing quick leads are at all times much better served on the electrical guitar anyway- synths just sound unusual on this capacity. In fact, I’d avoid electric guitar synth patches (and synth guitar solos) altogether. They never sound like the actual McCoy- undecided why anybody would even try this.

Extra of a note for Rhythm playing on a synth- it can be certainly be fairly awesome both in a dwell state of affairs or recording to have the ability to lay down some thickening string pads. I was in a band just a few years ago that covered Floyd’s ‘Comfortably Numb’. We had no keyboard participant, so throughout the verses, I played a mixture of strings and my guitar amp, and it flashed out the sounds quite properly (I used to snicker when bar patrons would hear the strings and lookup at the stage to see the place the keys had been coming from. J). After all, when the massive solo came at the end, I switched solely to my Marshall and proceeded to do my finest Gilmour guitar solo- man, that tune was considered one of my favorites to do. calssic guitar solo

So, in summary- the guitar synth generally is a fantastic addition to your musical arsenal; you simply must know its limitations and play towards its strengths. Give it a go sometime….

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‘Something’ by George Harrison – A beautiful solo for a beautiful song. I heard a story that the final solo used on the Abbey Road album was actually a mix of a few solos George had recorded. There is no doubting that he excelled himself on this song. It just goes to show that sometimes the simplest of licks will suffice. Thanks for the memories George….

George Harrison – Something

‘All Right Now’ by Paul Kossoff – An absolute classic guitar solo!!. A composition within itself you might say. This solo features no right hand tapping, no full throttle speed licks and no wammy bar heroics. Instead we have a brilliantly constructed solo with a definite beginning, middle and end. Check out the way Paul gently pulls the listener in by using a couple of licks to introduce the solo and then builds up to a fantastic ending. This solo is a prime example of how to play a great rock solo.

‘All Along The Watchtower’ by Jimi Hendrix – Jimi plays Dylan. This is probably one of my all time favorites. This is one of those guitar solos that I really do not want to analyze. I just want to sit back, listen and enjoy. To be honest, there are many of Jimi solos I could have included in this but, to me, this one is simply outstanding. It’s one I never, ever tire of listening to. Each and every time it just blows me away. The whole feeling of this track is just amazing.

‘Cliffs Of Dover’ by Eric Johnson – This is a prime example of great technique being mixed with a great feel for the music being played. As with Jimi, there are many Eric Johnson tracks I could have chosen. I decided on this one because it was the first thing I ever heard Eric Johnson play. Back in the mid to late 80′s Guitar Player magazine included it as a freebie flexidisc in one of its issues. I loved it then and I love it now. If you haven’t heard this track check it out as soon as you can.

‘I’m Goin’ Home’ by Alvin Lee – A song by helicopter! This is just plain old rock n’ roll from the wonderful Alvin Lee. I’ve chosen this one because it was a big favorite of mine when I was first starting to play. It is raw, exciting, and it makes you want to play. I remember being knocked out by the sheer speed of Alvin’s fingers when I first heard this one. A gem from one of the greats.

Obviously there are many great solos I have had to miss from this list. Who could forget, Django Reinhardt’s ‘Nuages’, Larry Carlton’s ‘Kid Charlemagne’, Elliott Randall’s ‘Reeling In The Years’, Brian May’s ‘Bohemian Rhapsody’, Eddie Van Halen’s ‘Beat it’, Albert Lee’s ‘Country Boy’, Bert Jansch’s ‘Angie’, David Gilmour’s ‘Comfortably Numb’, Jimmy Page’s ‘Stairway To Heaven’, Steve Vai’s ‘For The Love Of God’, Eric Clapton’s ‘Sunshine Of Your Love’, Brian Setzer’s ‘I Won’t Stand In Your Way’, Mason Williams’ ‘Classical Gas’, Jimi’s ‘Little Wing’, Chet Atkins’ ‘Yakety Axe’, Scotty Moore’s ‘That’s All Right Mama’…etc…etc….etc…
The list goes on and on.

Do you have a list of 5 great guitar solos ? Let us know, we might publish you list as well.